If you’re a film or television editor and you’ve been thinking about getting an agent, one of the biggest questions you’re probably asking is: How do I actually find one?

In a previous video, I talked about the top five reasons why editors should hire an agent—and the number one question I got in response was exactly this. So in this post, I’m going to break down the steps editors can take to start their journey toward representation in the industry.

Start With Your Network

The truth is, I found my agent through a close friend—someone I had worked with for years and built a solid relationship with. I simply reached out, asked about his experience with his agent, and whether he’d recommend them. The answer was yes. He made the introduction, and we set up a meeting.

That meeting turned into an interview—not just them interviewing me, but me interviewing them as well. Remember, you’re hiring the agent, not the other way around. It’s important to find someone you connect with and who understands your goals. In my case, we felt like a great fit and decided to work together.

Relationships Are Everything

It all comes back to this: build and maintain strong relationships. That means staying in touch with people you’ve worked with, checking in regularly, and being open to helping others. These connections aren’t just good for finding jobs—they’re also essential when it comes to finding an agent.

The best introductions usually come from people who know your work and believe in your potential. Don’t be afraid to ask your contacts if they have representation, how they found their agent, and if they’d be open to introducing you.

Research Agencies That Represent Editors

Don’t just rely on word of mouth—you should also do your own research. A simple Google search can help you find agencies that represent film and TV editors. But if you want something more comprehensive, check out IMDb Pro. They offer a free trial and provide access to detailed info on editors and their representation.

Search your favorite editors, look at their agents and agencies, and take note of who’s representing the kind of work you want to be doing. Use that info to build a list of potential agencies to contact.

Reach Out with Intention

Once you have some agencies in mind, reach out. Send an email or give them a call. You don’t need to pitch yourself in a slick salesy way—just express that you’re looking for representation, have questions, and would like to have a conversation. It can really be that simple.

Even if you don’t land an agent right away, those early conversations will help you learn more about the landscape and what agencies are looking for.

Final Thoughts

Finding a film and TV editing agent doesn’t have to be a mystery. Use your network, do your research, and don’t be afraid to ask for introductions or reach out cold. Representation is a two-way relationship, so take your time finding the right match.

If you already have an agent, I’d love to hear how you found yours. Drop a comment or send me a message with your experience. And if you have more questions, reach out—this video was made because people asked for it.

Also, be sure to join the All-Access Pass to the Hollywood Editing Mentor Community. You’ll get access to live virtual events, job opportunities, and more resources for building your career in post-production.